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East Anglian
Times Review,
August 2nd
West Side Story,
Suffolk Young People's Theatre, Theatre Royal, Bury St Edmunds.
AS it approaches its 50th Anniversary West Side Story can still
inspire people to whistle the score as they leave the theatre.
It is even more remarkable that the Suffolk Young People's Theatre
can produce a performance, which does justice to Leonard Bernstein's
music and Stephen Sondheim's lyrics after just ten days of
rehearsals. The decision to celebrate the group's 25th Anniversary
with a return to this classic and tragic tale of love and division
was justified by a packed house. Producing this timeless musical on
so small a stage, with its flamboyant dance sequences and large
fight scenes, not only required excellent choreography but also
innovative set design.
Commanding lead performances from Jonathon Lodge as Tony and Lisa
Bowman as Maria breathed genuine life into the central love story.
Both combined strong singing voices with excellent control and, in
the case of Maria, an authentic Puerto Rican accent.
Chemistry is all-important in any love story and the portrayal of Tony and
Maria's doomed relationship was expertly carried off.
Among the show's famous numbers two stood out as exceptional.
The Latino exuberance of "America" sung by the Shark's girls not only
sounded good but also worked well visually, aided by excellent
choreography and marvellous costumes. This was equalled by a
delightfully mischievous and cynical rendition of "Gee, Officer
Krupke" by the members of the Jets.
The dance sequences were performed with great energy helping to add
to the dramatic tension between the rival gangs. Despite occasional
delays in reorganising sets between scenes, the pace of the story
was well-maintained.
The future of West Side Story continues to look safe. Its themes of
racial tension and love are still as pertinent today as they were
400 years ago when Shakespeare first penned Romeo and Juliet. In
addition, on the strength of this performance, the Suffolk Young
People's Theatre also looks set to continue entertaining audiences
in the region while simultaneously providing a taste of the stage
for many youngsters. West Side Story by the Suffolk
Young People's Theatre runs until Saturday August 2 2003. Tickets
available from Theatre Royal, Bury St Edmunds. Box Office (01284)
769505.
Stewart Charman
Bury Free Press Review,
August 8th
A VIVID re-imagining of ballet, opera and literary
romance, West Side Story is as fresh and dazzling today as when it
was first staged in 1956.
An ideal vehicle for a young company, this is the
third time SYPT has staged the show and the show is another
outstanding success for performers and directors. The sheer
exuberance and physical skill of the dancers was stunning. The
well-choreographed ensemble numbers and fight scenes were
exceptionally well performed by the young cast. My only quibble
would be that in this production, perhaps based on the stage
original rather than the film, dramatic tension was dissipated by
hearing humorous songs like I Feel Pretty and the show stopping
Officer Krupke in the second half — after the tragedy of the gang
fight and the deaths of Riff and Bernardo. The company did manage to
rebuild the tension. It was unfortunate that people in the audience
broke out in ripples of nervous laughter when the final gunshot that
seals the tragedy rang out. But someone in the audience was sobbing
audibly after Tony died onstage. Maria carried on gamely, seizing
the gun and asking ‘Are there enough bullets for you? Or you?…..so
long as there is one left for me’ over the sound of suppressed
weeping.
The whole company deserves high praise for achieving
this impressive result in a mere ten days of rehearsal time. John
Rogerson turned in a tremendously professional and engaging
performance as Riff, the leader of the Jets. Jonathan Lodge as his
right hand man Tony doesn’t look the classic romantic hero but he
has an amazingly mellifluous voice. As Maria; Lisa Bowman was
winningly gauche and her soaring voice was equal to the demands of
the role. Jessica Pidsley was a raunchy, fiery Anita, teasingly
sarcastic in I like to be in America, and bitterly tragic for A boy
like that. Notable performances also came from Mark Kerr, edgy and
explosive as Action, Chris Hallum, dryly comical as A-rab and Chris
Hart, a superb dancer with a mass of cherubic golden curls, as Baby
John. Instead of a duet by Maria and Tony, Teresita (Gaily Kerr)
sang the heartrending There’s a place for us as a sublime solo, and
the rest of the company were brought onstage to join in, underlining
the fact that all the street teenagers deserved a better chance in
life.
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Suffolk Young People’s Theatre
Evaluation Summary
West Side Story 2003
(28
anonymous evaluation sheets returned)
Please circle
your judgements on the first five questions:
1 = excellent
to 6 = very poor
1) How
enjoyable did you find this year’s SYPT summer school?
Excellent/Very
Good 100%
2)
How good did you find the overall organisation?
Excellent/Very
Good 95% Good
5%
3)
What quality was the learning experience for you of this year’s
SYPT? Excellent/Very
Good 95%
Good/Satisfactory
5%
4)
In your judgement how do you rate the rehearsals
Excellent/Very Good
75% Good
25% *
5)
In your judgement how do you rate quality of the final show?
Excellent/Very Good 100%
6) What
was the best things you enjoyed about this year’s production?
Great Cast
commitment / Dancing / Making lots of new friends,
7) Was
there anything about this year’s production you did not enjoy and
could be improved for the future (only 10 returns to this question!)
Rehearsal Organisation
/ waiting / more parts for everyone
8)
Apart from next year’s possibly committed production which
production do you think we should consider doing in the future?
Grease, Chicago, Sound of Music,
Oklahoma, Les Miserable, Lion King, Tommy, South Pacific, Chess,
Sweet Charity
Have you any other comments about this
year’s SYPT experience you would like to make? (or your parents if
they wish!)
-
“Lots of fun
doing a very professional show”
-
“It was great”
-
“I enjoyed it
thoroughly –quality of people and standard of performance”
-
“It is so good
to do a theatre summer school. SYPT has such a splendid feeling
for me”
-
“It is
fantastic – long may it continue in the future”
-
“I have loved
every second of the show and am going to miss everyone”
-
“It was really
good, I enjoyed it so much and hope to come to next year’s”
-
“It was fab as
SYPT is always loving”
-
“Great people
to work with”
-
“I again have
had a wonderful time. Many thanks to Ray and Brian”
-
“It has been a
really good experience – learning what it takes to make a
successful show”
-
“Thank you for
another great year”
-
“Ray has
pulled it off again”
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